Year of release 2018

Songs 20

Album time 01:15:04

Genre list Theatre/Soundtrack, Classical

1
Kiss The Rain
 
4:03
2
A Game Of Croquet (From " The Theory Of Everything ")
 
3:15
3
Theme (From " Dom ")
 
3:52
4
Theme (From " Smuga Cienia ")
 
3:16
5
River Flows In You
 
2:32
6
Rinaldo, HWV 7: Lascia Ch'io Pianga
 
2:01
7
Theme (From " Love Affair ")
 
3:32
8
Le Onde
 
3:32
9
Time (From " Inception ")
 
3:22
10
Chi Mai (From " Le Professionnel ")
 
4:26
11
Main Theme (From " Schindler's List ") / Suite Española No. 1, Op. 47: No. 5, Asturias
 
5:31
12
Rodzina Połanieckich (From " Bilans Kwartalny ")
 
3:20
13
Pierwsza
 
3:14
14
Tell Me A Story, Katharine (From " Shine ")
 
3:29
15
Bella's Lullaby (From " Twilight ")
 
2:31
16
Theme (From " The Sheltering Sky ")
feat From ->
4:31
17
Now We Are Free (From " Gladiator ")
 
3:59
18
Laura Palmer's Theme (From " Twin Peaks ")
 
3:59
19
On The Nature Of Daylight (From " Arrival ")
 
5:36
20
Sleep Safe And Warm (From " Rosemary's Baby ")
 
5:12

This page describes Maximus: The Greatest Movie Soundtracks by Maksym Rzemiński, Radom Chamber Orchestra, and Dawid Runtz as part of the music catalog It combines the visible track data, genre labels and release notes into a single readable description.

The album data includes release year 2018, genre area Theatre/Soundtrack and Classical, 20 tracks, total running time 1:15:04, and cover artwork available. These details help distinguish the page from a short title-only listing.

The album sequence gives visitors songs including Kiss The Rain, A Game Of Croquet (From " The Theory Of Everything "), Theme (From " Dom "), Theme (From " Smuga Cienia "), River Flows In You, Rinaldo, HWV 7: Lascia Ch'io Pianga, Theme (From " Love Affair "), and Le Onde. The track list is also useful when a visitor remembers a song title but not the complete album name.

The track lengths provide extra catalog context because On The Nature Of Daylight (From " Arrival ") is one of the longer tracks at 5:35 and Rinaldo, HWV 7: Lascia Ch'io Pianga is one of the shorter tracks at 2:00. It helps separate compact songs from longer album pieces without adding opinion.

Overall, Maximus: The Greatest Movie Soundtracks is represented as a catalog album page with enough surrounding text for browsing, indexing and comparison. That keeps the album page from changing on every request while still avoiding identical text across entries.