JazzCuba, Vol. 22: Los Cubanos De Paris by Ernan Lopez - Nussa appears in this catalog as a structured album entry The entry keeps the album title, artist information, track list and page metadata in one place.

The release information on this page points to release year 2016, genre area Jazz, 9 tracks, total running time 1:07:14, and cover artwork available. The result is a fuller album note built from stable fields rather than changing promotional text.

Track names visible on the page include La Patetica Colombiana (Lazaro Pulido, Georvis Pico) [After Ludwig Van Beethoven's Piano Sonata No. 8, Op. 13: II. Adagio Cantabile], La Patetica Cubana (Georvis Pico, Lazaro Pulido) [After Ludwig Van Beethoven's Piano Sonata No. 8, Op. 13: III. Rondo. Allegro], La Cubana En Yereban (Ara Malikian, Lazaro Pulido, Georvis Pico) [After Jose Whites' La Bella Cubana], Fuga En Negro (El Negri, Lazaro Pulido, Georvis Pico) [After Johann Sebastian Bach's Toccata And Fugue In D Minor, BWV 565], Presente Continuo, Futuro Perfecto (Pity Cabrera) [After Igancio Cervantes' Los Munecos], Amiedad (After Igancio Cervantes' Amistad), Los Trescientos Golpes (Georvis Pico, Amed Torrecilla, Alfredo Chacon, Lazaro Pulido, Pedro Pablo Rodriguez) [After Igancio Cervantes' Los Tres Golpes], and Las Lomas De Homer (Alfredo Chacon, Georvis Pico, Amed Torrecilla, Pedro Pablo Rodriguez, Lazaro Pulido) [After Miguel Failde's Las Alturas De Simpson]. The song names add concrete text around the album and help identify the exact release.

The timing data gives another way to describe the album: La Patetica Cubana (Georvis Pico, Lazaro Pulido) [After Ludwig Van Beethoven's Piano Sonata No. 8, Op. 13: III. Rondo. Allegro] is one of the longer tracks at 9:36 and Los Trescientos Golpes (Georvis Pico, Amed Torrecilla, Alfredo Chacon, Lazaro Pulido, Pedro Pablo Rodriguez) [After Igancio Cervantes' Los Tres Golpes] is one of the shorter tracks at 5:29. They give the album description a little more depth while remaining automatic and repeatable.

This automatic note gives JazzCuba, Vol. 22: Los Cubanos De Paris a longer description while avoiding claims that are not present in the album data. The wording is generated once and then reused, which keeps the page stable for visitors and crawlers.