The page for Berlioz: Works (Live) (CD2) by Roger Norrington and Stuttgart Radio Symphony Orchestra gathers the main release facts in one place It gives visitors a fuller view of the release before moving into individual tracks.
Practical album details include release year 2022, genre area Classical, 33 tracks, total running time 3:02:46, and cover artwork available. This gives the page enough context to describe the release in a natural catalog style.
The track list starts with Benvenuto Cellini, Op. 23, H. 76, Act II Mardi Gras (Weimar Version) Scene 8, A Boire, À Boire, À Boire! [Live], Benvenuto Cellini, Op. 23, H. 76, Act II Mardi Gras (Weimar Version) Scene 8, Si La Terre Aux Beaux Jours Se Couronne [Live], Benvenuto Cellini, Op. 23, H. 76, Act II Mardi Gras (Weimar Version) Scene 9, Cette Somme T’est Due [Live], Benvenuto Cellini, Op. 23, H. 76, Act II Mardi Gras (Weimar Version) Scene 9, C’est Trop Fort! [Live], Benvenuto Cellini, Op. 23, H. 76, Act II Mardi Gras (Weimar Version) Scene 9, Ah! Qui Pourrait Me Résister [Live], Benvenuto Cellini, Op. 23, H. 76, Act II Mardi Gras (Weimar Version) Scene 12, Vous Voyez, J’espère [Live], Benvenuto Cellini, Op. 23, H. 76, Act II Mardi Gras (Weimar Version) Scene 12, Ah! Ah! Très Bien, Le Plaisant Visage! [Live], and Benvenuto Cellini, Op. 23, H. 76, Act II Mardi Gras (Weimar Version) Scene 12, Voici Maître Arlequin [Live]. These titles make the note specific to this release.
The page can also be read through the track durations: Grande Messe Des Morts, Op. 5, H. 75 X. Agnus Dei (Live) is one of the longer tracks at 15:00 and Benvenuto Cellini, Op. 23, H. 76, Act III Mercrèdi Des Cendres (Weimar Version) Scene 8, Ah! Maître! [Live] is one of the shorter tracks at 0:21. The duration notes keep the text factual and tied to the actual track table.
As an album entry, Berlioz: Works (Live) (CD2) is described through release information and concrete track details. The closing note gives visitors a compact view of what is available before they move into individual tracks.
